MUSIC

“Still” is a song by Colombian singer-songwriter Karol G and American singer-songwriter Bruno Mars from Karol G’s sixth studio album, No Me Arrepiento de Sentir Tanto (2026). It was written by Carolina Giraldo Navarro, Peter Hernandez, Alexandra Yatchenko, Isabel LaRosa and Thomas LaRosa. Karol G, Mars and Thomas.

Following the release of her second studio album, Am I the Drama?, in September 2025, the release of its fourth single, “ErrTime”, on November 18, 2025, marked Cardi B’s final solo release for the following nine months. In October 2025, she stated that she planned to release another project within less than a year.

In her haunting new visual for “petal”, Grande sheds the pastel pop fantasy for something far more fragile, surreal, and striking — a raw and ethereal deconstruction of beauty, fame, and femininity.

Long before the Declaration of Independence was signed in Philadelphia in 1776, before jazz echoed through the streets of New Orleans, before Elvis Presley stood before a microphone at Sun Studio, before Aretha Franklin transformed pain into power, before Kendrick Lamar turned poetry into protest, there was music.

McCreary, known worldwide for his work on God of War, The Lord of the Rings: The Rings of Power, Outlander, and Battlestar Galactica, broke new musical ground in 2024 with the release of his hard-rock concept album The Singularity. The three-time Emmy Award winner played to packed houses around Europe in 2025 with his Themes & Variations tour (which featured selections from The Singularity).

Multi-platinum singer, songwriter, producer, and actor Tank returns with his latest single, “Yes,” delivering a fresh interpretation of Floetry’s beloved Neo-Soul classic “Say Yes.”

Tyla continues her dominant march towards her forthcoming sophomore studio album, A*POP, today with the release of her new single, “IS IT LOVE”. The song, which follows the bombshell releases of TYLA’s previous singles “She Did It Again”

Clive Davis, one of the most influential record moguls in music history and the mastermind behind the careers of Whitney Houston, Barry Manilow, Earth, Wind & Fire, Alicia Keys and dozens of other artists, has died at 94.

“Hate That I Made You Love Me” is a mid and down-tempo pop, alt-pop, R&B, and synth-pop ballad that features trap elements and Grande’s subdued vocal delivery over a sauntering instrumental. Built around moody and minimalist synth production, the song addresses the admiration Grande has received throughout her career and the ways in which public support can later become criticism.

My experience of becoming a Doors fan has always been inextricably intertwined with my concurrent experience of attending boarding school. The Doors reached the nadir of their popularity during the same four years in which I was a student in Stockbridge.